San Francisco
San Francisco Museum of Modern Art
the poem:
Enter the place of colors
Polka dots let in the
sunlight of the earth
The heart Is filled with the
shining light of the sun
All of the people who enter
seeking the joy of being alive
Let there be eternal harmony
among all in the circles and cycles of living
Peace and endless love for
all
— Yayoi Kusama, 2023
Reminiscent of psychedelic blob shows, these art installations are vibrant but still. Approximately six viewers at a time step into each white cube and are enveloped in dazzlingly colored shapes repeated endlessly via mirrored walls. Though I enjoyed just being within the colorful spaces, and took plenty of photos, the idea is to convey a feeling of “unlimited potential and possibility.” I left mostly satisfied and happy. “Infinite Love” runs through September 7, 2024. Tickets to the show include admission to the museum if you purchase in advance. Check the website for clarification.
“Dreaming of Earth’s Sphericity, I Would Offer My Love” at Yayoi Kusama "Infinite Love" show at SFMOMA |
“Dreaming of Earth’s Sphericity, I Would Offer My Love” at Yayoi Kusama "Infinite Love" show at SFMOMA |
“Love is Calling” at Yayoi Kusama "Infinite Love" show at SFMOMA |
“Love is Calling” at Yayoi Kusama "Infinite Love" show at SFMOMA |
Elsewhere in the museum, Kusama’s giant polka-dotted pumpkin exhibit--“Aspiring to Pumpkin’s Love, the Love in My Heart”--is also worth seeing. Depending on the light and where you stand, this piece is yellow or orange and a group of three, four, or five pumpkins.
“Aspiring to Pumpkin’s Love, the Love in My Heart” at Yayoi Kusama "Infinite Love" show at SFMOMA |
“Aspiring to Pumpkin’s Love, the Love in My Heart” at Yayoi Kusama "Infinite Love" show at SFMOMA |
“Aspiring to Pumpkin’s Love, the Love in My Heart” at Yayoi Kusama "Infinite Love" show at SFMOMA |
Another show you won't want to miss is “The Visitors,” by Ragnar Kjartansson (2012). Commissioned by the Migros Museum in Zurich, this piece is an homage to the Swedish pop band ABBA and was titled by the director after their final album. It takes place in a rambling old mansion on Rokeby Farm in upstate New York’s Hudson Valley, where the director and some musician friends from Reykjavik, Iceland, spent a week eating and drinking and finally, on the last day, filming. On 9 screens, the piece depicts eight rooms, each inhabited by a musician, and shows simultaneously what is happening in each room as it adds to the whole, melancholic piece. It is interesting to know that the person in the bathtub playing a guitar is the director. The piece runs an hour long, and I think it is worth staying for the entire show.
This is the piece’s second
installation at the SFMOMA. I saw it
during its first run here and loved it.
I’m so pleased to have had the chance to view it again, because I enjoyed
it even more this second time.
entrance to "The Visitors" show at SFMOMA |
interior of "The Visitors" show at SFMOMA |
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